Sony Tries to Make Good Lenses: Sony Zeiss E 16-70mm f/4 and E 18-105mm f/4 G Lens, Also Paints E 50mm f/1.8 in Black

One of the main problems with the NEX system is, simply put, horrible horrible lenses. Check any decently done Imatest bench of the E mount lenses. Or heck, just test them yourself, pitting them against your favourite lenses. They remind me of the infamous Nikon 43-86mm lens. It’s 2013, yet some of the quality of the lenses reminds me of 1973.

Carl Zeiss Vario-Tessar T* E 16-70mm f/4 ZA OSS

Sony clearly are listening, so they have have come up with a pair of lenses to address that. The first is the Carl Zeiss Vario-Tessar T* E 16-70mm f/4 ZA OSS. Mouthful of a name, but the Zeiss name, even if it is Sony-made, should ensure some quality. The only good NEX lens is another Zeiss, the 24mm f/1.8, so this should bode well. Of course, the downside is that the Zeiss name means it is going to be more expensive: Expect it to arrive in September for US$1000. More if you’re in Europe. Eep.

Sony E PZ 18-105mm f/4 G OSS

The next lens is the E PZ 18-105mm f/4 G OSS lens. As this is a G lens, there is also an implied sense of quality. As the name implies, this will be a power zoom lens, making it suitable for video work. Arrives in December for US$600.

Sony E 50mm f/1.8 OSS

Finally Sony is releasing the E 50mm f/1.8 OSS in black. This trend of “silver-first” lenses is a bit annoying, I have to say. Arrives in September for US$300.

Of course, it still doesn’t solve the other problem of honking huge lenses on tiny bodies.

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