Canon has announced the EOS 80D, an update to the popular EOS 70D. The resolution has been bumped up to 24.2MP, still on a APS-C sensor. The AF module 45 cross-type AF points and an updated Dual Pixel AF for Live View still and video recording. Canon claims that the new AF module is capable of focussing down to -3EV at the centre point. Video recording capabilities have also been updated to allow for up to 1080/60p recording.
The EOS 80D has a native ISO range of 100-16,000, expandable to 25,600. The viewfinder offers approximately 100% coverage while the 3″ fully-articulated rear LCD has a resolution of 1.04M dots. Built-in Wi-Fi with NFC as well as GPS are also available on the EOS 80D.
The Canon EOS 80D will be available in March for $1,199 for the body alone, or $1,799 when bundled with an updated EF-S 18-135mm f/3.5-5.6 IS USM kit lens.
There sure are many camera releases over the last month! The latest is Sony’s new a6300 announced today. It boasts the world’s fastest AF and the world’s highest number of AF points. Every camera manufacturer seems to be claiming this, and Sony’s fine print qualifies that it has the fastest AF among APS-C cameras as of Feb 2016, and the highest number of AF points applies to interchangeable lens cameras as of Feb 2016 based on their research.
The super fast AF is achieved by Sony’s 4D FOCUS system that can lock focus on a subject in as little as 0.05s (hmm, sounds like other cameras too). It also has an incredible 425 phase detection AF points that are densely populated over the entire image area. It can shoot up to 11fps with continuous AF and exposure tracking.
The new a6300 supports full live-view continuous shooting on the Tru-Finder EVF or LCD screen at up to 8fps. This produces a real-time shooting experience that combines all the benefits of an EVF with the immediacy of a TTL optical view finder.
The XGA OLED-based EVF has 2.4M dots and a 120fps frame rate for smooth, lag-free viewing, whilst the tilt 3″ LCD screen below it has a resolution of 921,600 dots. Unfortunately, it’s not a touch screen. The magnesium-alloy body is sealed from the elements and has 9 customisable buttons.
The camera has a 24.2MP APS-C sized CMOS sensor, that together with the BIONZ X image processing engine produces outstanding image quality within the ISO range of 100–51,200 (expanded.) The sensor uses copper wiring within its structure, which Sony said will “improve light collection efficiency and significantly accelerate the readout speed.”
The video capabilities are pretty impressive. The a6300 can capture 4K with full pixel readout and no pixel binning in Super 35mm. This is done by using a 20MP (6K) region of the sensor to offer a 2.4x oversampled 4K video, giving a sharp, low noise footage, even in low light. A S-Log3 gamma setting as well as S-Gamut are available to achieve a higher dynamic range and wider colour space, allowing for greater creativity for video post-production.
The Sony a6300 will be available from March for US$1,000 (body only) or US$1,150 with a 16-50mm f/3.5-5.6 kit lens.
David: News of Fujifilm’s new X100S, a seminal update to the venerable game changer (IMHO) hit the web a few hours earlier than the NDA scheduled due to a uhmmm… accidental leak on Fuji’s UK website (riiiigghhht), but rumors of it have been floating around the net a few days before, so it wasn’t a complete shocker to me.
But what a camera…. what an update. Rather than go through all the specs laboriously one by one (other sites do it better, e.g. Fuji’s own X-series website), as a X100 fan and active user, I want to highlight the key features of this update which may have eluded those of you unfamiliar with the X100. This is NOT a news update, but think of it as my ode to one of the most enjoyable cameras I’ve ever used. So, here goes…..