Nikon D810 Review:Introduction The Nikon D810 is a mid-life refresh of the D800 cameras, which were lauded for pretty much the best 35mm DSLR you could get your hands on. The D810 consolidates the D800 and D800E models into a single variant, Continue reading Nikon D810 Review→
Nikon Df Review:Introduction The Nikon Df was introduced last year to a host of fanfare and hype, with the initial rumours going as far out as claiming to be a “full-frame” mirrorless camera which it is not; it is a standard F-mount Continue reading Nikon Df Review→
Three Guys’ Review: Nikon D5300:Introduction The Nikon D5300 follows in a line of entry level cameras that started with the D50, and eventually got bumped up half a tier with the D5000 line. By now it actually appears to house some significantly powerful internals, Continue reading Three Guys’ Review: Nikon D5300→
Just like they’ve done for the X-T1, Fujifilm has applied the graphite treatment to their two latest cameras—the X-T2 and X-Pro 2. The graphite X-Pro 2 will also come with a matching XF 23mm f/2 WR lens. With a more silvery finish, the new X-T2’s colour is appropriately called “Graphite Silver”.
Both will ship in late January for US$2299 (X-Pro 2) and US$1799 (X-T2).
Originally teased at Photokina, Panasonic has finally launched the Lumix DC GH5 during CES 2017. The camera has a 20.3MP Live CMOS sensor without an optical low-pass filter and an upgraded Venus Engine processor that claims to cut noise by 2 stops.
The EVF has been upgraded as well. It now has a resolution of 3.68M dots and 0.76x magnification (compared to 2.36M dots and 0.67x on the GH4.) It also has dual UHS-II SD slots, full-sized HDMI port and a fully articulating 3.2″ touchscreen LCD with 1.62M dots. it also has a 5-axis in-body image stabilisation with support for Dual IS 2.
The GH5 can capture 4K 60p and 50p using the full sensor with no cropping at 150Mbps. At 4K30P, you can get 10-bit 4:2:2 colour.
The GH5 will be available at US$2000 at the end of March.
Panasonic has announced the GX850—also known as the GX800 and GF9 in depending on the market (Seriously now, what’s with all these regional namings?) It is the smallest Panasonic camera to boast both 4K/30P video and a 4K Photo mode.
The camera is reminiscent of the super compact GM line and has a 16MP Live MOS sensor with no low-pass filter. This, in Panasonic’s words, delivers “crisp, high-resolution images in fine details with high-contrast, [and] impressive color reproduction.”
The GX850/GF9/GX800 also has a 3″ LCD with 1.04M dots which is able to flip 180º, perfect for selfie/wefie lovers out there. Photos are stored on a microSD card.
The camera will be available from February for US$550 bundled with a Lumix G Vario 12-32mm f/3.5-5.6 lens. It is available in black or silver.
Panasonic Lumix DMC-FZ80
Like the GX850/GF9/GX800, the FZ80 also has multiple names depending on the region, it being called the FZ82 in some markets. The camera does 4K video and features a 60X zoom lens covering 20-1200mm with a variable aperture of f/2.8-5.9.
Other than shooting 4K video at 30fps, you can also shoot 120fps at 1280×720, or 240fps at 640×480. If you shoot 4K, you can shoot up to 15 minutes at any one time.
Canon has announced an update to the G9 X released in Oct 2015. The Mark II model uses the same 20MP CMOS sensor, 28-80mm equivalent lens and 3″ touchscreen LCD. However, the image stabilisation has been improved to give up to 3.5 stops of vibration reduction, and the burst shooting rate has been upgraded to 8.2fps (an 1fps increase from the Mark 1).
The camera will be released in February in black or silver/brown for US$530.
Architectural photographers using the Nikon system rejoice! Nikon has announced the PC Nikkor 19mm f/4E tilt-shift lens. For a long time, the ultra-wide tilt-shift lens market was dominated by Canons 17mm TSE while Nikon’s widest goes only up to 24mm.
The PC Nikkor 19mm f/4E offers a 97º field of view and can shift ±12mm and tilt ±7.5°. It contains three ED and two aspherical elements, and unlike the previous PC lens designs, the tilt and shift mechanisms can be adjusted independently from each other. This allows photographers to set the tilt either parallel or perpendicular to the shift.
The lens will be available from next month at US$3399.95.
AF-S Nikkor 70-200mm F2.8E FL ED VR
Nikon has also released an update to their 70-200mm workhorse lens with a new optical design, improved vibration reduction as well as an electromagnetic diaphram.
The lens has 6 ED, 1 fluorite and 1 high refractive index element, and a Nano Crystal Coat reduces flare and ghosting. The front and rear elements are fluorine-coated to prevent smudging. The newly improved VR gives a 4-stop advantage compared to 3.5 in the previous model.
The lens will be available next month at US$2799.95.
Not to be left behind, Olympus at Photokina announced two new cameras and three new lenses. The first is the E-PL8, an entry-level mirrorless camera with a Four Thirds sensor. This is basically an upgrade to the E-PL7, with a redesign to the body, along with a new grip and top plate. Like its predecessor, it features a 16MP sensor and in-body image stabilisation. The camera will be available at US$549.99 for the body, and US$649.99 for the 14-42 IIR kit.
Like Panasonic, Olympus has also announced the development of a new flagship—the OM-D EM1 II. The new camera has a 20MP sensor and is able to shoot at up to 18fps in RAW with AF, or at up to 60fps in RAW without AF.
Olympus says that they have spent 4 years developing the new flagship camera, and the dynamic range and noise performance have been improved. The EM-1 II has 121 cross-type AF points, spread over a wider area than the predecessor. The AF system is completely new and improved in terms of performance, precision and operation. The camera can shoot 4K DCI video at a bit rate of up to 236Mbps.
Finally, Olympus has announced three new lenses: M.Zuiko Digital ED 25mm f/1.2 Pro, M-Zuiko Digital ED 12-100mm f/4 IS Pro and M.Zuiko Digital ED 30mm f/3.5 Macro.
The M.Zuiko Digital ED 25mm f/1.2 Pro gives an equivalent of 50mm, and is splash and dust proof. This is Olympus’s attempt at making a “perfect” lens, which promises high resolution wide-open, fast AF and well-controlled chromatic aberration. The lens will be available from October from US$1,199.99.
The M-Zuiko Digital ED 12-100mm f/4 IS Pro is an all-round zoom, with a 35mm equivalent of 24-200mm. Used with the 5-axis IBIS of supported Olympus bodies, it offers up to 6.5 stops of image stabilisation. Minimum focus distance at the 12mm end is a mere 1.5cm and 27cm at the telephoto end. It is splash, dust and freeze proof, and will be available from November at US$1299.99.
Last but not least, the M.Zuiko Digital ED 30mm f/3.5 Macro is an affordable macro lens with a magnification of 1.25x. It will cost US$299.99 from October 2016.
Perhaps the most exciting camera announced at Photokina is Fuji’s GFX 50S. This is a medium format, mirrorless digital camera built around a new series of “G” mount lenses that includes both primes and zooms. It has a 51.4MP CMOS sensor similar to the ones in the Pentax 645Z and the Hasselblad X1D. The camera looks somewhat like a large X-Pro II, and with the clip-on EVF, it looks like a large X-T1/X-T2. At 43.8×32.9mm, the sensor area is 1.7X larger than full-frame 35mm sensors, and 4X greater than Fujifilm’s APS-C cameras. The large sensor and pixel count allows the camera to shoot at various different aspect ratios.
Six lenses have been announced to go with the GFX 50S. They are:-
Standard prime “GF63mmF2.8 R WR” (equivalent to 50mm in the 35mm format)
Wide-angle standard zoom “GF32-64mmF4 R LM WR” (equivalent to 25-51mm in 35mm format)
Mid-telephoto macro 1:0.5 “GF120mmF4 Macro R LM OIS WR” (equivalent to 95mm in 35mm format)
Fast aperture mid-telephoto “GF110mmF2 R LM WR” (equivalent to 87mm in 35mm format)
Ultra-wide “GF23mmF4 R LM WR” (equivalent to 18mm in 35mm format)
Wide “GF45mmF2.8 R WR” (equivalent to 35mm in 35mm format)
Fujifilm says the camera will be available in the first half of 2017 at “under $10K” with the 63mm lens.
Panasonic has announced a slew of new cameras at Photokina 2016 at Cologne, Germany. Here are all of them:-
DMC-FZ2500 (also called the FZ2000 in some regions)
First off, I can never understand why camera manufacturers have to adopt different model numbers for the same cameras in different regions… anyway, the FZ2500 is an update to the FZ1000, with a new lens, larger EVF as well as a variable ND filter. This is a video-focussed camera with the ability to capture both DCI and UHD 4K video at 30p / 24p at a bit rate of 100Mbps. In Full HD, the camera can record at up to 60p with a bit rate of 200Mbps.
The camera uses the same 1″ sensor as the FZ1000, matched to a 24-480mm f/2.8-4.5 equivalent lens. After the initial lens extension upon power on, the lens zooms internally. Hence, the lens does not move, much like how a camcorder would work. The aforementioned variable ND filter is adjustable from -2EV to -6EV in 2EV steps. The EVF now has a magnification of 0.74x and a 3″ articulating touch LCD is also available on the rear.
The FZ2500 will be available for US$1199 from November.
DMC-LX10 (LX15 in some regions)
Another camera with a different model number in some regions. The LX10 is a enthusiast compact camera in the LX series lineup with a 20MP 1″ sensor. It features a 24-75mm f/1.4-2.8 equivalent zoom and a 5-axis Hybrid OIS+ which combines both digital and optical image stabilisation. Like other new cameras, the LX10 is able to shoot 4K UHD at up to 30fps. There is no EVF but there is a 180º tiltable touch screen with a resolution of 1,040K dots.
The camera will be available at US$699 from November.
DMC-G85 (G80 in some regions)
The different model numbers continue with the DMC-G85. This is an update to the G7, with a 16MP Four Thirds sensor without an anti-aliasing filter. There is also weather-sealing, an improved EVF with a magnification of 0.74x (0.70x on the G7), and a Dual IS 5-axis image stabilisation system. Another improvement is in the shutter, with a new electromechanical shutter, which together with the magnesium front plate, cuts down the shutter vibrations and sounds.
The G85 will be available from November at US$899 for the body only, or US$999 with the 12-60mm f/3.5-5.6 Power OIS kit lens.
Finally, Panasonic also made a development announcement of the GH5. It will feature 4K/60p capability and will also provide 4:2:2 10-bit 4K video. There is also a 6K photo mode that extracts 18MP stills from burst footage, or 8MP stills from 4K/60p clips. No launch timing or price has been provided at this time.
Canon has announced the EOS M5, a new addition to the EOS M line-up with a much requested EVF. Like other contemporary mirrorless with EVFs, the one on the EOS M5 has a resolution of 2.36 million dots. There is no mention of the refresh rate, though.
The EOS M5 features a 24.2MP CMOS sensor, with image processing duties performed by a DIGIC 7 image processor. ISO range can be set between 100 and 25,600. With Canon’s Dual Pixel CMOS AF, the M5 is the fastest focussing EOS M camera made to date. A Touch and Drag AF feature allows you to adjust the focus point by dragging the AF frame around the rear LCD, even when looking through the EVF. There is also focus peaking to assist in manual focussing.
The design of the camera has also been changed from the previous EOS M cameras. It now looks like one of the smaller Canon DSLRs instead of a large compact camera. On the back of the camera is a 3.2″, 162K-dot LCD screen which flips up 85º and down 180º, great for the selfie-loving crowd. Continuous shooting speed is up to 7fps (9 fps with AF lock). There is also an in-body, 5-axis digital image stabilisation for smoother video recording, even without IS glass. With compatible lenses, both in-body and lens stabilisation can be employed simultaneously.
On the connectivity side of things, the M5 features a low-energy Bluetooth Smart feature which maintains a persistent connection with your smart device. There is also NFC and WiFi as well.
Along with the EOS M10, Canon has also announced the EF-M 18-150mm f/3.5-6.3 IS STM lens which features 4 stops of image stabilisation. Used on the EOS M10, it gives an equivalent of 29-240mm.
Like the Nikon 1 series, the previous EOS M series of cameras have been rather lacklustre, with Canon not wanting to cannibilise the sales of their DSLRs. On paper, this seems like a big improvement. This being Canon’s 5th version of the EOS M, it remains to be seen whether this will finally be as good as the mirrorless cameras from the likes of Panasonic, Olympus, Fuji and Sony.
The EOS M5 will be available from November 2016 at US$980 for the body alone, or US$1099 with a 15-45mm lens. It’s also available with the newly announced 18-150mm lens for US$1479 from December.
Canon has announced updates to two of their lenses—the EF 16-35mm f/2.8L III USM and EF 24-105mm f/4L IS II USM.
Canon EF 16-35mm f/2.8L III USM
This update of the 16-35mm f/2.8L features better durability and water resistance, and now has a large-diameter GMO dual-surface aspherical lens and a ground aspherical lens which supposedly fixes the Mark II’s edge-to-edge performance.
The lens will be available from late October at US$2,200.
Canon EF 24-105mm f/4L IS II USM
The new incarnation of the 24-105mm f/4 now features 4-stops of OIS (1 more stop from the previous version) according to Canon. The optical performance is improved as well, with the help of “air sphere coating”.
The lens will be available from late October for US$1,100.
W-E1 SD Card-Shaped WiFi Adapter
Canon says this was specifically created to bring WiFi capability to the Canon EOS 7D Mark II, though it’s also compatible with the 5DS and 5DS R. It’s supposed to be sold with the 7D Mark II to give it the same level of camera control and transfer capabilities as the newly released 5D Mark IV.
Unlike the SD WiFi cards like the Toshiba FlashAir and EyeFi, the W-E1 does not have any storage. As such, you would have to use the CF card slot for your images and/or videos. Used with the 7D Mark II, you can transfer both images and videos, but on the 5DS/5DS R, you can only transfer images.
The W-E1 will be available for US$50 starting in September.