Photokina: Olympus Announces E-PL8, Development of OM-D E-M1 II and Three New Lenses

Olympus E-PL8
Olympus E-PL8

Not to be left behind, Olympus at Photokina announced two new cameras and three new lenses. The first is the E-PL8, an entry-level mirrorless camera with a Four Thirds sensor. This is basically an upgrade to the E-PL7, with a redesign to the body, along with a new grip and top plate. Like its predecessor, it features a 16MP sensor and in-body image stabilisation. The camera will be available at US$549.99 for the body, and US$649.99 for the 14-42 IIR kit.

Olympus OM-D E-M1 II
Olympus OM-D E-M1 II

Like Panasonic, Olympus has also announced the development of a new flagship—the OM-D EM1 II. The new camera has a 20MP sensor and is able to shoot at up to 18fps in RAW with AF, or at up to 60fps in RAW without AF.

Olympus says that they have spent 4 years developing the new flagship camera, and the dynamic range and noise performance have been improved. The EM-1 II has 121 cross-type AF points, spread over a wider area than the predecessor. The AF system is completely new and improved in terms of performance, precision and operation. The camera can shoot 4K DCI video at a bit rate of up to 236Mbps.

Finally, Olympus has announced three new lenses: M.Zuiko Digital ED 25mm f/1.2 Pro, M-Zuiko Digital ED 12-100mm f/4 IS Pro and M.Zuiko Digital ED 30mm f/3.5 Macro.

M.Zuiko Digital ED 25mm f/1.2 Pro

The M.Zuiko Digital ED 25mm f/1.2 Pro gives an equivalent of 50mm, and is splash and dust proof. This is Olympus’s attempt at making a “perfect” lens, which promises high resolution wide-open, fast AF and well-controlled chromatic aberration. The lens will be available from October from US$1,199.99.

M-Zuiko Digital ED 12-100mm f/4 IS Pro

The M-Zuiko Digital ED 12-100mm f/4 IS Pro is an all-round zoom, with a 35mm equivalent of 24-200mm. Used with the 5-axis IBIS of supported Olympus bodies, it offers up to 6.5 stops of image stabilisation. Minimum focus distance at the 12mm end is a mere 1.5cm and 27cm at the telephoto end. It is splash, dust and freeze proof, and will be available from November at US$1299.99.

M.Zuiko Digital ED 30mm f/3.5 Macro

Last but not least, the M.Zuiko Digital ED 30mm f/3.5 Macro is an affordable macro lens with a magnification of 1.25x. It will cost US$299.99 from October 2016.

Facebooktwittergoogle_plusredditpinterestlinkedintumblrmailby feather

Photokina: Fujifilm Announces Development of the GFX 50S Medium Format Mirrorless Camera

Fujifilm GFX 50S
Fujifilm GFX 50S

Perhaps the most exciting camera announced at Photokina is Fuji’s GFX 50S. This is a medium format, mirrorless digital camera built around a new series of “G” mount lenses that includes both primes and zooms. It  has a 51.4MP CMOS sensor similar to the ones in the Pentax 645Z and the Hasselblad X1D. The camera looks somewhat like a large X-Pro II, and with the clip-on EVF, it looks like a large X-T1/X-T2. At 43.8×32.9mm, the sensor area is 1.7X larger than full-frame 35mm sensors, and 4X greater than Fujifilm’s APS-C cameras. The large sensor and pixel count allows the camera to shoot at various different aspect ratios.

Six lenses have been announced to go with the GFX 50S. They are:-

  1. Standard prime “GF63mmF2.8 R WR” (equivalent to 50mm in the 35mm format)
  2. Wide-angle standard zoom “GF32-64mmF4 R LM WR” (equivalent to 25-51mm in 35mm format)
  3. Mid-telephoto macro 1:0.5 “GF120mmF4 Macro R LM OIS WR” (equivalent to 95mm in 35mm format)
  4. Fast aperture mid-telephoto “GF110mmF2 R LM WR” (equivalent to 87mm in 35mm format)
  5. Ultra-wide “GF23mmF4 R LM WR” (equivalent to 18mm in 35mm format)
  6. Wide “GF45mmF2.8 R WR” (equivalent to 35mm in 35mm format)

Fujifilm says the camera will be available in the first half of 2017 at “under $10K” with the 63mm lens.

Facebooktwittergoogle_plusredditpinterestlinkedintumblrmailby feather

Panasonic Announced a Slew of New Cameras at Photokina 2016—DMC-FZ2500/FZ2000, DMC-LX10/LX15, DMC-G85 and DMC-GH5

Panasonic has announced a slew of new cameras at Photokina 2016 at Cologne, Germany. Here are all of them:-

DMC-FZ2500 (also called the FZ2000 in some regions)

Panasonic DMC-FZ2500
Panasonic DMC-FZ2500

First off, I can never understand why camera manufacturers have to adopt different model numbers for the same cameras in different regions… anyway, the FZ2500 is an update to the FZ1000, with a new lens, larger EVF as well as a variable ND filter. This is a video-focussed camera with the ability to capture both DCI and UHD 4K video at 30p / 24p at a bit rate of 100Mbps. In Full HD, the camera can record at up to 60p with a bit rate of 200Mbps.

The camera uses the same 1″ sensor as the FZ1000, matched to a 24-480mm f/2.8-4.5 equivalent lens. After the initial lens extension upon power on, the lens zooms internally. Hence, the lens does not move, much like how a camcorder would work. The aforementioned variable ND filter is adjustable from -2EV to -6EV in 2EV steps. The EVF now has a magnification of 0.74x and a 3″ articulating touch LCD is also available on the rear.

The FZ2500 will be available for US$1199 from November.

DMC-LX10 (LX15 in some regions)

Panasonic DMC-LX10
Panasonic DMC-LX10

Another camera with a different model number in some regions. The LX10 is a enthusiast compact camera in the LX series lineup with a 20MP 1″ sensor. It features a 24-75mm f/1.4-2.8 equivalent zoom and a 5-axis Hybrid OIS+ which combines both digital and optical image stabilisation. Like other new cameras, the LX10 is able to shoot 4K UHD at up to 30fps. There is no EVF but there is a 180º tiltable touch screen with a resolution of 1,040K dots.

The camera will be available at US$699 from November.

DMC-G85 (G80 in some regions)

Panasonic DMC-G85
Panasonic DMC-G85

The different model numbers continue with the DMC-G85. This is an update to the G7, with a 16MP Four Thirds sensor without an anti-aliasing filter. There is also weather-sealing, an improved EVF with a magnification of 0.74x (0.70x on the G7), and a Dual IS 5-axis image stabilisation system. Another improvement is in the shutter, with a new electromechanical shutter, which together with the magnesium front plate, cuts down the shutter vibrations and sounds.

The G85 will be available from November at US$899 for the body only, or US$999 with the 12-60mm f/3.5-5.6 Power OIS kit lens.


Panasonic DMC-GH5
Panasonic DMC-GH5

Finally, Panasonic also made a development announcement of the GH5. It will feature 4K/60p capability and will also provide 4:2:2 10-bit 4K video. There is also a 6K photo mode that extracts 18MP stills from burst footage, or 8MP stills from 4K/60p clips. No launch timing or price has been provided at this time.


Facebooktwittergoogle_plusredditpinterestlinkedintumblrmailby feather

Canon Announced the EOS M5 Mirrorless Camera With EVF

Canon EOS M5 with EF-M 15-45mm IS STM
Canon EOS M5 with EF-M 15-45mm IS STM

Canon has announced the EOS M5, a new addition to the EOS M line-up with a much requested EVF. Like other contemporary mirrorless with EVFs, the one on the EOS M5 has a resolution of 2.36 million dots. There is no mention of the refresh rate, though.

The EOS M5 features a 24.2MP CMOS sensor, with image processing duties performed by a DIGIC 7 image processor. ISO range can be set between 100 and 25,600. With Canon’s Dual Pixel CMOS AF, the M5 is the fastest focussing EOS M camera made to date. A Touch and Drag AF feature allows you to adjust the focus point by dragging the AF frame around the rear LCD, even when looking through the EVF. There is also focus peaking to assist in manual focussing.

The design of the camera has also been changed from the previous EOS M cameras. It now looks like one of the smaller Canon DSLRs instead of a large compact camera. On the back of the camera is a 3.2″, 162K-dot LCD screen which flips up 85º and down 180º, great for the selfie-loving crowd. Continuous shooting speed is up to 7fps (9 fps with AF lock). There is also an in-body, 5-axis digital image stabilisation for smoother video recording, even without IS glass. With compatible lenses, both in-body and lens stabilisation can be employed simultaneously.



On the connectivity side of things, the M5 features a low-energy Bluetooth Smart feature which maintains a persistent connection with your smart device. There is also NFC and WiFi as well.

Along with the EOS M10, Canon has also announced the EF-M 18-150mm f/3.5-6.3 IS STM lens which features 4 stops of image stabilisation. Used on the EOS M10, it gives an equivalent of 29-240mm.

Like the Nikon 1 series, the previous EOS M series of cameras have been rather lacklustre, with Canon not wanting to cannibilise the sales of their DSLRs. On paper, this seems like a big improvement. This being Canon’s 5th version of the EOS M, it remains to be seen whether this will finally be as good as the mirrorless cameras from the likes of Panasonic, Olympus, Fuji and Sony.

The EOS M5 will be available from November 2016 at US$980 for the body alone, or US$1099 with a 15-45mm lens. It’s also available with the newly announced 18-150mm lens for US$1479 from December.

Facebooktwittergoogle_plusredditpinterestlinkedintumblrmailby feather